iROKOtv's Jason Njoku to speak at AfricaCast
iROKOtv, so named after an African hard-wood tree whose prolific growth is unending once its roots are firmly established, is pioneering monetised digital streaming content. Beginning with a YouTube channel entitled 'Nollywood Love', iROKO's digital Nigerian movie offering very quickly grew to owning and operating its own online platform; streaming movies, music and a host of entertainment services to the African diaspora.
The US and UK make up a significant portion of iROKO's traffic - those who have a desire to stay in touch with their roots. However, as Africa's broadband penetration develops and matures, allowing for faster and cheaper access to internet based content, this will probably change. In fact, the company is noting an increase in its mobile uptake across Africa as it makes every effort to keep the size of its files reasonable and accessible. When he started the business three years ago, Njoku had to fly back to the UK to be able to upload the first movie content he had bought. How things have changed.
"Africa is raw and often brutal"
Speaking of his involvement at this year's AfricaCast event at AfricaCom 2013 and what delegates can look forward to learning, Njoku is keen to point out that "while working in Africa is a challenge, it is not insurmountable". One of those challenges is the online payment structure in Africa which iROKO is slowly tackling. "Africa is raw and often brutal, but it presents huge and exciting opportunities for those willing and brave enough to want to make a difference as well as achieve commercial success.
"For me, AfricaCast will be about celebrating the emergence of a new generation of incumbents in the tech and internet world, as well as meeting those who are willing to go that extra mile in disrupting the norm". s meeting those who are willing to go that extra mile in disrupting the norm."
Prior to iROKO streaming its first Nollywood movie, there had been no established value in online content for the movie producers. Now it is an entirely different picture. Njoku equates the success of the business in no small part to the creation of a win-win situation for the movie producers and for the audiences who devour each successive "slice of home". Considering that Nigeria has 300+ movie producers (include anyone who has a mobile phone and an idea in this equation), churns out some 2000 movies per annum with 85% of those going straight to VCD, you can see that there is a wealth of stock to feed this growing appetite.
The AfricaCast event promises plenty of debate, discussion and insight into understanding how digital innovation is changing the African broadcast landscape and how to overcome the challenges facing this dynamic market.
